Home › Forums › Progress Review › My Secret after practicing “Speed Kills Vol.1” for months
- This topic has 3 replies, 3 voices, and was last updated 2 years, 4 months ago by deluge71.
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December 9, 2021 at 7:31 pm #40320superblondeKeymaster
I’ve been working on so many other musical projects that I haven’t played guitar in quite a while. But ! Back when I was playing guitar every day and tracking my BPM progress in a practice notebook, there is one huge lesson I learned from practicing the Speed Kills warmups as my absolute “must do this when first picking up the guitar” discipline. Start the metronome BPM at 40 BPM (16th notes) every time, play for 1 minute to get the beat down, then TURN OFF the metronome, and play the exercises for at least 15 minutes, usually more like 25 mins. After a month or more of that, then increase BPM to 60BPM then 70 BPM, all these should be easy speeds, relaxed. The main thing I learned was about feeling fretting-hand tension. Previously anytime the BPM’s got to rock & metal speeds, my fretting hand and entire arm would uncontrollably tense up like “fight or flight” to get up to speed, and fingers would not behave. Now the interesting thing was that Doug suggested, “Try tapping your foot” – and when all tensed up like that, it’s basically impossible. So my response to the picking speed survey would be, (unless you are a speed god like MAB where speed comes “easily”), always start the Speed Kills warmups at much lower than 50% of max playing speed.. maybe that is 40 BPM. Ensure that the hand and fingers are totally relaxed and not stressing out at all to play at that speed. After months of playing like this, the feeling of relaxation & not-relaxed is easy to identify, and the fretting hand should naturally feel like it is ready to play faster than the metronome, like a rushing feeling. “Natural Speed” seems to increase when exercising in the relaxed practice state. That’s the secret, Don’t play repetitive exercises when tensed up, it’s bad practice. If that means lower BPM, then play at lower BPM. The Speed & Accuracy exercises can be approached the same way, especially the single-string versions, better to play slow & relaxed, than to rush.
I'm an intermediate student of Metal Method. I play seitannic heavy metal. All Kale Seitan! ♯ ♮ ♭ ø ° Δ ♩ ♪ ♫ ♬
And on the Seventh Day, Mustaine said: ∇ ⨯ E = - ∂B / ∂t ; and there was Thrash; and it had a ♭3; and it was good. -
December 23, 2021 at 1:03 pm #40327deluge71Participant
This sounds like really good advice. For me, fretting-hand tension is often the result of anticipation. As I start getting closer to an especially difficult part of a song or exercise, my fretting hand becomes stiff and rigid. I’ll be sure to give this a try, and let you know how it goes! 🎸
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December 24, 2021 at 7:53 am #40332RobParticipant
Great tips @superblonde Thank You!
@deluge71 some times I get the same
anticipation anxiety. Personally it frustrates me because it causes a finger to be cumbersome
and I get some unwanted ghost tones, like
a finger doing a Hammer On or Pull Off of
a string not intended to make notes.I am trying to get more fingertips than
finger pad now. It’s not so bad for me in the slower tempos. Gets harder as it speeds up.
All in the learning. Some day …In For The Learn
- This reply was modified 2 years, 4 months ago by Rob.
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December 25, 2021 at 12:21 am #40336deluge71Participant
@Rob Yep, all of the above for me! Performance anxiety has always been an issue. Worse yet, I *still* get anxious when I’m practicing alone. I know how aggravated I’m going to be if I keep screwing up a certain lick or phrase, so my fretboard hand immediately starts getting tense. But at least I’ve identified the problem, and posts like yours and superblonde’s are very reassuring. Thank you both!
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