Home › Forums › Other Topics › Superfast, non-metal guitar solo's
- This topic has 10 replies, 7 voices, and was last updated 7 years, 6 months ago by pipelineaudio.
-
AuthorPosts
-
-
September 19, 2016 at 12:50 pm #18079superblondeKeymaster
Who has some examples of shred speed solos in different genres which still rock, and might also be interesting general purpose exercises?
Guitar World has a nice article on this all time classic solo and it’s one which always made me go “yea!!”
https://www.guitarworld.com/lesson-videos-rock/how-play-danny-cedrones-blazing-rock-around-clock-guitar-solo/29284
How to Play Danny Cedrone’s Blazing “Rock Around the Clock” Guitar Solo
Posted 06/20/2016 by Guitar World Staff , photo by Michael Ochs Archives/Getty ImagesGuitarist Danny Cedrone was born June 20, 1920. Whether you realize it or not, you’re familiar with his work.
Even in these post-Van Halen, post-Yngwie Malmsteen, post-everything times, Cedrone’s guitar solo on Bill Haley & His Comets’ 1955 hit “Rock Around the Clock” is still a certified jaw-dropper.
Cedrone—a Philadelphia session guitarist who used a 1946 Gibson ES-300 and a 1×12 Gibson BR-1 combo for the legendary track—opens with a furiously picked line, then suddenly works in some tangy half-step bends and slick, jazzy phrases and caps it off with an insanely fast chromatic flurry that encompasses all six strings. Cedrone was paid $21 for the solo. A little over two months later, he died after falling down a staircase. He never knew the impact his solo had on the world. He was soon replaced by guitarist Franny Beecher (pictured above), who had played sessions with Haley before Cedrone’s tragic death.
The interesting thing about this one, is that it is a chromatic scale, I found a very detailed web page on it recently (but forgot the link). That page also pointed out, that Cedrone had re-used this similar scale run on other songs (I forget which), so basically, maybe it was an exercise he had practiced 1,000x 😀 then re-used it in several songs.
The other interesting thing is that, it might be one of those solos which is a good one to practice because it is so close to being a scale-type, all-fingers riff. Not unlike Speed Kills 3, Ex. 4 “The Riff” ?
This is a really good tutorial on it
“Rock Around The Clock” guitar solo lesson with Damian BacciHmmm BTW the wife beater is optional 😀 I hope.
I'm an intermediate student of Metal Method. I play seitannic heavy metal. All Kale Seitan! ♯ ♮ ♭ ø ° Δ ♩ ♪ ♫ ♬
And on the Seventh Day, Mustaine said: ∇ ⨯ E = - ∂B / ∂t ; and there was Thrash; and it had a ♭3; and it was good. -
September 19, 2016 at 1:21 pm #18080safetyblitzParticipant
-
September 19, 2016 at 1:43 pm #18081superblondeKeymaster
nice! one lesson on this solo says, “use a lot of compression and this helps because it uses a lot of pulloffs .. there’s tons of legato here so the compression will help even it out” Not sure how the bpm translates to actual picking speed after taking into account the legato. just watching it, does not seem very fast on the right hand.
then, it also uses hybrid picking which is.. hmm.
I can only guess why he is going to pour a glass of water on the fiddle player.. maybe hinting that he is on fire..
I'm an intermediate student of Metal Method. I play seitannic heavy metal. All Kale Seitan! ♯ ♮ ♭ ø ° Δ ♩ ♪ ♫ ♬
And on the Seventh Day, Mustaine said: ∇ ⨯ E = - ∂B / ∂t ; and there was Thrash; and it had a ♭3; and it was good. -
September 19, 2016 at 2:14 pm #18082safetyblitzParticipant
“use a lot of compression and this helps because it uses a lot of pulloffs .. there’s tons of legato here so the compression will help even it out”
Play it without compression. Boom: legato workout.
-
September 19, 2016 at 8:13 pm #18088MotleyCrue81Participant
Hehe, I suppose that 1955 song is “jaw dropping” for way back in the day, but by today’s standards, it’s pretty weak. Crazy how much the bar has been raised for guitar in only 60 years!
Bring hair metal back!
-
September 19, 2016 at 10:19 pm #18092GuitarsmurfParticipant
Jerrys Breakdown, check out Chet Atkins sweeping in there
-
September 20, 2016 at 7:20 am #18094GuitarsmurfParticipant
My attacment didn’t work 🙁
-
September 20, 2016 at 4:18 pm #18107AnonymousInactive
My entry to this thread – Wes Montgomery’s Canadian Sunset.
The fast part isn’t very long, just a few bars into the solo – but bear in mind that this is all and only thumb picking. Wes used his thumb for everything and he could do down and up thumbs like no other guitarist; it was a trade mark of his playing and his sound.
This may not do much for exercise purposes as indicated on the first post, but here’s my notes:
While this has a fast section AND improvised … “fast” is never the subject. Throughout the whole tune Wes is telling a story.Whenever I listen to him (or Coltrane, for instance) I never thing about guitar playing (or sax playing) I just feel the music. And this one makes e feel good like no other!
-
September 22, 2016 at 12:33 pm #18152superblondeKeymaster
Jerrys Breakdown
This one?
JR and CA doing Jerry’s Breakdown on Pop Goes the Country 1975I'm an intermediate student of Metal Method. I play seitannic heavy metal. All Kale Seitan! ♯ ♮ ♭ ø ° Δ ♩ ♪ ♫ ♬
And on the Seventh Day, Mustaine said: ∇ ⨯ E = - ∂B / ∂t ; and there was Thrash; and it had a ♭3; and it was good. -
September 22, 2016 at 3:32 pm #18156Doug MarksKeymaster
Metal Method Guitar Instructor
-
September 22, 2016 at 11:00 pm #18165pipelineaudioParticipant
La Bamba
-
-
AuthorPosts
- You must be logged in to reply to this topic.